Hugo Weaving

Hugo Weaving built his reputation playing characters you couldn't quite read. His AFI-winning turn in Proof (1991) as a blind photographer established him as someone who could strip a role of its obvious beats. The Adventures of Priscilla, Queen of the Desert (1994) gave him international visibility as a drag queen crossing the Outback. But it was Agent Smith in The Matrix (1999) that put him in a different category, where his flat affect and bureaucratic disdain made Smith one of cinema's more unusually menacing villains.

Weaving did something most actors who anchor blockbuster franchises don't bother with: he kept going back to the stage. During and after the franchise years, he was headlining Sydney Theatre Company productions, including Uncle Vanya alongside Cate Blanchett in 2010. His recent work includes Frank Harkness in Slow Horses (2024), which adds a new register to a career built on institutional menace. A Priscilla sequel is reportedly in conversations. He doesn't move like someone trying to recapture relevance.

For three decades, Weaving was managing something he rarely talked about: epilepsy, diagnosed at 13. The anticonvulsants kept him sedated through much of his early career. He's said people assumed he was just naturally laid-back, but the drugs were doing most of that. The epilepsy went into remission in his forties. He never got a driver's license because of the seizures, and by the time they stopped, the habit was too ingrained to bother changing. It's a strange footnote for someone who spent thirty years playing some of the most precisely controlled characters on screen.