Aidan Gillen

Stuart Alan Jones in Queer as Folk (1999) was the kind of role that made TV executives nervous: unapologetically gay, hedonistic, unreformed. Gillen played him straight through, Channel 4 got controversy and a hit, and the British industry took notice. The Wire producers spotted him doing Pinter on stage and cast him as Tommy Carcetti, a Baltimore politician whose charm masks a spectacular capacity for self-interest. That performance got him noticed in America. When Game of Thrones needed Littlefinger, they already knew who to call.

The Littlefinger problem was never typecasting, it was finality. GoT killed the character in 2017 and gifted Gillen a clean exit. Since then, he's moved through projects without obvious strategy: Peaky Blinders, Mayor of Kingstown, the Irish crime drama Kin, and now Tall Tales & Murder, a BBC/RTE dark comedy that landed international distribution before it aired. Sam Esmail cast him in Panic Carefully for Warner Bros. The pattern isn't reinvention, it's consistency.

His professional name isn't his real one. Born Aidan Murphy, he found the name already registered at Equity, so he took his mother's maiden name. His brother John is a playwright, his sister Fionnuala is an actress, which makes the creative path feel less accidental than most. He moved to London in his late teens, worked the stage circuit, and eventually came back to Dublin, where he still lives. For someone who spent seven seasons playing the most paranoid schemer in Westeros, he keeps a low profile.