The performer in a family of power brokers, he built a career playing the institutional man so convincingly that Hollywood forgot to give him the awards.
A best friend who was lying about everything, including the friendship. That was the role in The Truman Show that changed his career, and the emotional duplicity turned out to be a template for the next two decades. He'd been grinding through guest spots on NYPD Blue and Melrose Place, but playing Marlon opposite Jim Carrey in a film that grossed $264 million changed the math entirely.
He didn't become a leading man. He became the guy you cast when you need an authority figure with something to hide. Cops, FBI agents, military officers, CDC scientists. By the time The Americans cast him as Stan Beeman, the FBI counterintelligence agent living next door to two KGB spies, it wasn't a stretch. It was a coronation.
The Emmys never nominated him for The Americans, which became its own quiet industry talking point. Six seasons, a Critics' Choice Award for Best Supporting Actor in 2019, and the academy still couldn't find the paperwork.
He starred in The Ice Cream Man, a short film about a Jewish ice cream shop owner who fled Nazi Germany, which landed on the 2025 Oscars shortlist for Live Action Short Film. His own father fled Frankfurt in 1936 and lived around the corner from the real family the film depicts. That's not a vanity project. That's unfinished business.
Three brothers from New York City, all at the top of completely different industries. Toby became president of New Line Cinema. Adam co-chairs the corporate department at Wachtell Lipton and brokered the $146 billion T-Mobile/Sprint merger. Noah picked the arts.
Before acting, he sang with the Yale Spizzwinks, the oldest underclassman a cappella group in the country, founded in 1913. Their father Andre ran a prominent gallery on 57th Street representing David Hockney before Sotheby's bought it in 1996. A concert pianist mother, a gallery-owner father who escaped the Nazis, and three sons who each chose a different version of American ambition.