He wrote Good Will Hunting as a 40-page script for a Harvard playwriting class that was only supposed to be a one-act play. The professor called it 'very authentic and real' anyway. He left Harvard 12 credits short of his English degree to film Geronimo: An American Legend, which flopped. The script sat until he and Ben Affleck brought it to Los Angeles, where studios kept passing unless they could recast with a bigger name. They said no. At 27, they won the Oscar for Best Original Screenplay. That stubbornness, not just the talent, is what actually made the career.
Most actors with an Oscar at 27 spend the next decade cashing checks. Damon spent it learning to disappear into ensembles. He played General Leslie Groves in Oppenheimer, let Ben Affleck direct him as a Nike exec in Air, and co-wrote The Last Duel with Ben Affleck and Nicole Holofcener. Christopher Nolan keeps casting him, which is the clearest endorsement the industry offers. He's publicly critical of Netflix's content mandates, saying the platform requires action in the first five minutes because 'people are on their phones.' He still has opinions about how films should work.
His Harvard drama class had one notable scene partner: Ketanji Brown Jackson, now a Supreme Court Justice. He received the Harvard Arts Medal in 2013, despite never graduating. His freshman roommate became Obama's Chairman of the Council of Economic Advisors. His production company with Ben Affleck, Pearl Street Films, is named after the Cambridge street between their childhood homes. Advisors reportedly told them not to oversaturate the market together, advice they followed for nearly two decades. Damon has said his father's death in 2017 made clear that advice was wrong.