Ten British distributors passed on Lock, Stock and Two Smoking Barrels before it found a release in 1998. It grossed $28 million worldwide and launched Jason Statham, Vinnie Jones, and a whole template for British crime comedy that every knock-off spent the next decade failing to replicate. Snatch (2000) brought Brad Pitt and $83 million, cementing a style built on nonlinear storytelling, hyperkinetic editing, and ensemble casts of criminals who all talk faster than they think. Nobody invented Ritchie's London, but he made the rest of the world care about it.
Three consecutive theatrical bombs in 13 months (Operation Fortune at $49M against a $50M budget, The Covenant at $21M against $55M, Ministry of Ungentlemanly Warfare under $30M against $60M), yet The Covenant earned a 98% audience score on Rotten Tomatoes, his career best. The issue isn't the movies. The Gentlemen Netflix series performed, and Aladdin crossed $1 billion in 2019. The theatrical window just doesn't convert his fanbase, which means his films look like failures until they land on streaming and start looking like exactly what they are.
Dyslexic and expelled from school at 15, he started as a film runner in London's Soho before directing music videos. Outside of filmmaking, he holds a black belt in Brazilian jiu-jitsu, runs Gritchie Brewing Company on his Wiltshire estate, runs Lore of the Land pub in London's Fitzrovia, and operates nearby Compton Abbas Airfield. The estate reportedly came partly from his 2008 divorce from Madonna. The man who built a career on London's criminal underworld ended up a proper country gentleman.