Smokey in Friday (1995) was the audition that told Hollywood he could carry a scene. Rush Hour in 1998 made the point emphatically: Tucker's mile-a-minute motormouth against Jackie Chan's baffled restraint was specific comic chemistry that worked on command. The first film made over $140 million domestic on a $33 million budget. By Rush Hour 3, he'd negotiated $25 million plus 20% of gross receipts, briefly making him the highest-paid actor in Hollywood. He got there fast, and then he nearly disappeared.
Since Rush Hour 3 in 2007, Tucker has barely worked. Not for lack of offers: he turned down Next Friday on religious grounds, reportedly passing on $10-12 million, and said no to Django Unchained for similar reasons. The IRS was a constant presence too: he agreed to pay $14 million in back taxes in 2014, then settled a separate dispute for $3.6 million in 2023 covering debts from 2002 through 2010. He returned to screens in Air that year and launched his first national stand-up tour in over a decade. Whether the momentum holds is the real question.
Tucker grew up in Decatur, Georgia, in a Pentecostal household, and the preacher cadence is audible in everything he's done on screen. The high-pitched, rapid-fire delivery got copied so widely it's nearly invisible as an influence now. He's been publicly close with Michael Jackson since at least the late 1990s and was among the mourners at Jackson's 2009 burial. The religious conviction that cost him sequels and IRS-level money is the same thing that kept him from burning out entirely.